Stew’s unusual musical of self-discovery has been performed on and off-Broadway with some decent reviews. While I found the play interesting, I also found it a bit hollow and simplistic.

The plot can be described in one sentence: Young singer/songwriter looks for meaning in his church, and when he can’t find it he travels to Amsterdam and Berlin, where he still can’t find it.

The production relies heavily on a narrator (Jason Quinn), who just might be the younger boy in his later years, looking back on his voyage of self-discovery.

The upstairs theatre space at the old Trinity Church in South Providence has been converted into an upper level stage for the band, while what little action there is takes place on the floor.

While at times I felt that the use of a narrator was the writer’s ploy to fill in too much of the story, the saving grace is Jason Quinn, who successfully carries off a humongous role. His deep voice (effective in singing and speaking,) and his huge stature keep him in control of the production.

There are long narratives and songs and lots of pseudo-intellectualisms in between the many songs. There are decent voices backed by a good rock band and good acting, especially by Quinn and Nigel Richards as the youth.

“Passing Strange” continues through December 5 at Wilbury Group, 393 Broad St., Providence. Tickets are $15-$25. Call 400-7100.